Sunday, 12 February 2012

Time Machine: Task 1 - Compare and Contrast two Paintings



The Sleeping Venus, also known as the Dresden Venus, is a painting by the Italian Renaissance master Giorgione, with, it is now generally accepted, the landscape and sky, by Titian, completed after Giorgione's death in 1510. The painting, one of the last works by Giorgione, portrays a nude woman whose profile seems to follow that of the hills in the background. Giorgione put a great deal of effort into painting the background details and shadows. The choice of a nude woman marked a revolution in art, and is considered by some authorities one of the starting points of modern art. Underlying erotic implications are made by Venus's raised arm and the placement of her left hand on her groin. The sheets are painted in silver, being a cold color rather than the more commonly used warm tones for linens, and they are rigid looking in comparison to those depicted in similar paintings by Titian or Velázquez. The landscape mimics the curves of the woman's body and this, in turn, relates the human body back to being a natural, organic object. 

Olympia is oil on canvas painting by Édouard Manet, painted in 1863. Titian’s Venus of Urbino inspired the painting. Olympia is a painting of a reclining nude woman, attended by a maid and a black cat, gazing mysteriously at the viewer. The objections to Olympia had more to do with the realism of the subject matter than the fact that the model was nude. In the painting, the maid offers the courtesan a bouquet of flowers, presumably a gift from a client, not the sort of scene previously depicted in the art of the era. What shocked contemporary audiences was not Olympia's nudity, nor even the presence of her fully clothed maid, but her confrontational gaze and a number of details identifying her as a demi-mondaine or courtesan. These include the orchid in her hair, her bracelet, pearl earrings and the oriental shawl on which she lies, symbols of wealth and sensuality. The black ribbon around her neck, in stark contrast with her pale flesh, and her cast-off slipper underline the voluptuous atmosphere

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